Peter Bruhn reviews Arrival
Arrival has finally arrived (pun intended). It took Keith Tam three years since he first showed his PDF specimen of Arrival until it was finally released. This typeface references both industral and calligraphic forms, from the work of Evert Bloemsma to the selfnamed font by Adrian Frutiger. The humanist flare with the expansion of the end strokes creates a genial feel, but the face can still seem formal. This, I think, is perfect for a font made especially for directional signage. A strictness combined with friendliness. I can’t imagine a better welcome to a new city.
Read more on Typographica