VLLG

Klim / Tiempos Fine

Klim

Financier Text & Display Specimen Pages Financier Text

Two A4-sized printed pages featuring Kris Sowersby’s Financier typeface family. Printed on Strathmore Impress in black ink. Hole punched to fit in an A4 binder.

Financier is a new typeface family drawn by Kris Sowersby for the redesign of the Financial Times, and launched in September 2014. It comprises two complementary sets of styles: Financier Display and Financier Text. Newsprint is a brutish environment for typefaces: outlines get distorted, small gaps get filled in, and black ink turns grey and bleeds all over the shop. Financier eschews the standard news type ink trap in favour of sharp, deep joints, designed to anticipate the ink.

This specimen is available for sale and ships free to clients who license Financier Text or Display.

Tiempos Fine Specimen Sheets Tiempos Fine

Two A4-sized printed pages featuring Tiempos Fine, an elegant new addition to the Tiempos superfamily, designed by Kris Sowersby. Printed in black ink on Mohawk Keaykolour in Cobblestone. Hole punched to fit in an A4 binder.

See more here

New York Magazine / Spring 2014 Domaine Sans Fine

A sampling of spreads from the spring 2014 fashion issue

New York Magazine used a pre-release version of Domaine Sans in their Spring 2014 Fashion special issue.

Financier Type Specimen Financier Display

A series of three posters designed by the Alt Group in Auckland, New Zealand. Each poster is two-color (FT’s famous salmon pink and black). They measure 600 × 950mm flat.

New York Magazine / Spring 2014 Domaine Sans Text

A sampling of spreads from the spring 2014 fashion issue

New York Magazine used a pre-release version of Domaine Sans in their Spring 2014 Fashion special issue.

The Queen’s House Founders Grotesk Mono

QK–RM used Pitch & Founders Grotesk Mono in their programme for the Queen’s House

London-based design firm, QK-RM designed the environmental graphics programme for the Queen’s House. They write: ‘Commissioned in 1616, the Queen’s House is one of the most important buildings in British architectural history, being the first consciously classical building to have been constructed in Britain. It was Inigo Jones’s first major commission after returning from his 1613–1615 grand tour of Roman, Renaissance and Palladian architecture in Italy. The building reflects Renaissance ideals of mathematical, classical proportion and harmony which would have appeared revolutionary to English eyes in its day.’

The design programme uses Pitch and Founders Grotesk Mono with with great sensitivity

QK-RM writes: ‘We were commissioned at the start of a two year master plan to review a new environmental graphics and way-finding scheme. The first step was to remove the myriad of municipal design languages that have crept in to the building in recent years. The new design idea carefully observes the historical legacy of the house whilst acknowledging the contemporary context within which it exists.’

Gabrielle Semillon Domaine Sans Display

Domaine Sans Display in use on this elegant label by Cornershop Design

Australian firm Cornershop is behind this elegant design, they quote Coco Chanel while describing their work for Gabrielle. ‘Fashion changes – style endures. A new brand created for Teusner Wines inspired by Gabrielle Bonheur ‘Coco’ Chanel.

ArtFad Tiempos Headline

Tiempos Headline in the identity programme for Art Fad: Contemporary Art & Craft Awards

Barcelona design firm Hey Studio created this whimsical and beautifully graphic identity programme for ArtFad: the Contemporary Art & Craft Awards in Barcelona.

Hey writes: ‘Graphic Identity for ArtFad: Contemporary Art and Craft Awards. The letter A is made by paper, sticking one by one. The studio made 500 handicraft invitations, the only machinery process was the text printing. As a result, each invitation turned out in a different colour and we obtained unique and non-serial pieces.’

Hey Studio also designed the ArtFad 2013 Diplomas for the Contemporary Art & Craft Awards. They used transparent and fluorescent methacrylate with a laser cut that creates letter an abstract letter A.

A transparent and fluorescent methacrylate graphic diploma with a laser cut ‘A’

Leaf on Bold Street Karbon Slab Stencil

Karbon Slab Stencil in use for Leaf on Bold Street by SB Studio, United Kingdom

The lovely identity for Leaf on Bold Street was designed by SB Studio who write: ‘A unique independent tea shop and bar in the heart 
of Liverpool city centre, serving up delicious, wholesome food and hundreds of varieties of tea while delivering a great atmosphere. Leaf is a place for people to relax, enjoy culture and soak up the best in new music.

Signage and packaging design for Leaf on Bold Street
Caption goes here

‘LEAF approached us at the very start of their ambitious venture, when it was just an idea about setting up a tea shop in a warehouse — that was four years ago. Today LEAF is much more than just a tea shop, they host art exhibitions, vintage markets, music and club nights, plus serve up delicious, wholesome food and hundreds of varieties of tea. We are proud to manage the LEAF brand and continue their story through printed material, exhibition design, packaging and website.’

The Leaf on Bold Street website and typographic totebag

Seabrook Wine Domaine Display

Domaine Text and Display are put to beautiful use on this wine label by Cornershop design

Cornershop, an Australian firm, designed this beautiful label for Seabrook wines, an Australian, family-owned vintner. They’ve used Klim’s Domaine Text and Domaine Display, giving the label a lovely typographic balance that is both delicate and bold.

Typer / Calibre

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