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The Centra Series Specimen FolioFebruary 1, 2018

Josh Finklea’s newest release, the Centra Series, is a study in utility and restraint. In keeping with his approach of iteration and improvement to the traditional typographic tools of graphic design, Finklea’s latest work tackles one of typography’s most popular genres, the geometric sans.

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New Type: Marcin Antique & Marcin TypewriterOctober 22, 2017

Our first retail release in quite a while has gone through many names and incarnations — the first ones dating back to 2010 — before settling on Marcin Antique. Inspired by late 19th-century French types produced by the Fonderie Gustave Mayeur in Paris, the sans serif family is a fresh interpretation of France’s long tradition of grotesque faces.

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Marcin Antique Specimen FolioOctober 22, 2017

Feliciano Type Foundry’s first retail release in quite a while has gone through many names and incarnations — the first ones dating back to 2010 — before settling on Marcin Antique. Inspired by late 19th-century French types produced by the Fonderie Gustave Mayeur in Paris, the sans serif family is a fresh interpretation of France’s long tradition of grotesque faces.

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Marcin Typewriter Specimen FolioOctober 22, 2017

Feliciano Type Foundry’s first retail release in quite a while has gone through many names and incarnations — the first ones dating back to 2010 — before settling on Marcin Antique. Inspired by late 19th-century French types produced by the Fonderie Gustave Mayeur in Paris, the sans serif family is a fresh interpretation of France’s long tradition of grotesque faces.

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New Type: Post Grotesk V2May 2, 2017

Josh Finklea began work on Post Grotesk in 2011 with the goal of designing a contemporary version of the traditional grotesk sans-serif for his own use. The intention was to build an amiable typeface with maximum usability and an overall sense of neutrality.

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Neon Signs and Fear of FailureMarch 28, 2017

I’m really good at getting typefaces halfway done and then not finishing them. Or so claims type designer Tal Leming when asked about designing the typeface Ohm in 2009. Since the 2017 Typographics branding makes prominent use of Ohm, we decided to ask Leming about the origins of the design and the motivation behind it.

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