Christoph Koeberlin of Typefacts named Urtd’s Odesta one of the best fonts of 2013, he writes: You can rarely so easily find one of your ten favourites out of hundreds of new typefaces. Odesta was love at first sight — maybe because she was designed for love!
Christoph Koeberlin of Typefacts included five Village releases in his Best of 2013 list.
He writes: A Best-Of list is just like a football team. You shouldn’t only take into account the best players as individuals, but the best team; the players that harmonize best. In my list of the best typefaces of the year, I have taken this into stride and tried to compile a well-balanced, harmonic yet diversified overview.
We can’t wait to get our hands on a copy of this book! In addition to featuring Kris Sowersby’s Domaine throughout, Designing News showcases and analyses some of the best news publication going today.
Francesco Franchi details his extraordinary work for Il Sole 24 Ore, where he’s been the Art Director since 2008. Mr. Franchi has worked with village members, Kris Sowersby and Christian Schwartz on the logotype and typographic programme for IL magazine.
As Mr Franchi’s site notes, ‘In Designing News, award-winning editorial and infographics designer Francesco Franchi conveys his vision for the future of the news and media industries. He evaluates the fundamental changes that are taking place in our digital age in terms of consumer expectations and the way media is being used. The book then outlines the challenges that result and proposes strategies for traditional publishing houses, broadcasting companies, journalists, and designers to address them.’
Odesta, designed by Ondrej Jób of Urtd, is a decorative script typeface with detached strokes and pronounced ball terminals. It comes in 7 weights with small capitals, swash capitals, plenty of ligatures, and initial & final forms for each of the lowercase letters.
Inspired by the hand lettering of 20th century book designer and calligrapher Oscar Ogg, Ogg captures the unique mix of calligraphic and typographic form he achieved through his use of hand carved pen nibs. Summoning a renaissance flavor while still managing to feel fresh and contemporary, Ogg begs for employment in magazine spreads, book covers, and all kinds of editorial applications. Designed by Lucas Sharp in 2013.
You can find more design information, character sets & samples here…
The development of Josh Finklea’s Post Grotesk began in the Spring of 2011 as a project to design a contemporary version of the traditional grotesk sans-serif. The intention was to build an amiable typeface with maximum usability and an overall sense of neutrality. Post Grotesk reduces the typical rigidness of a grotesk through subtle additions of personality and uniqueness.
Kris Sowersby developed the Domaine superset for Parallax Design Studio in Adelaide Australia. Parallax was charged to rebrand The Hardy Wine Company. ‘The new brand identity for Hardys takes inspiration from trade-cuts and early letterheads held within the company’s archives’ dating back from the company’s origins in 1853.